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Anurag Kashyap's 'Kennedy' is the only Indian film to be screened in the Midnight Screening Section at Cannes 2023.


Swati Bhat

Kennedy is an insomniac ex-cop who was long supposed to be dead yet is still working for the corrupt system while seeking forgiveness. The initial poster depicts the lead characters, Rahul Bhat wearing a mask and Sunny Leone screaming in front of a door. The poster is made in a red and black motif while the pistol and blood stains eyes towards a strange scenario the viewer would get to see in the film, very well justifying its genre of police noir.


In an interview with Variety, Kashyap revealed that the character of Kennedy has been a source of fascination for him for years, and that it began when fellow Indian filmmaker Sudhir Mishra approached him to write a cop narrative set in the 1980s. He revealed that even though the film was never created, the role stuck with him. "Then there's an actual incident that occurred during the lockdown that sparked an idea." "Imagine if that kind of character existed during the lockdown surrounding that incident, and a fictional story was written based on events that occurred during the lockdown," he explained.

Furthermore, coming from the house of Anurag Kashyap, who is known for giving us many thriller films, 'Kennedy' will be interesting to see.

Anurag Kashyap penned and directed 'Kennedy', which stars Rahul Bhat and Sunny Leone. Zed Studios and Good Bad Films' Ranjan Singh and Kabir Ahuja produced the film. Sylvester Fonseca is the film's director of photography. Ashish Narula composed the film's music, which was co-written by Aamir Aziz and Boyblanck. Tanya Chhabria and Deepak Kattar work on the film's editing. Kunal Sharma and Dr. Akshay Indikar created the film's sound design.



Catherine Deneuve stands on Pampelonne beach, near Saint-Tropez, for the filming of Alain Cavalier's La Chamade, adapted on Françoise Sagan's novel.


Swati Bhat

Official poster - 76th edition © Photo de Jack Garofalo/Paris Match/Scoop – Création graphique © Hartland Villa - Côte d’Azur, June 1, 1968.


She plays Lucile, a cosmopolitan and shallow character tinted with comfort and a penchant for luxury. Her heartbeat is fast, rushed, and passionate. Every year, the Festival de Cannes honours the heart of cinema, and its vivid and alive pulse can be heard everywhere. The 7th Art's heart - its artists, professionals, amateurs, and press - beats like a drum to the rhythm of the urgency imposed by its perpetual nature.

The actress of Peau d’Âne is an embodiment of cinema, far from what is conventional or appropriate. The actress of Peau d’Âne is an embodiment of cinema, far from what is conventional or appropriate. Without compromise and always in tune with her convictions, even if it means going against the grain of the times. She is the muse of Jacques Demy, Agnès Varda, Luis Buñuel, François Truffaut, Marco Ferreri, Manoel de Oliveira, André Téchiné, Emmanuelle Bercot or Arnaud Desplechin. Her collaborations are in the pantheon of immense filmmakers of yesterday and today. Catherine is the link between them all. For more than 60 years, the greatest French star has never stopped shooting, reinventing herself, experimenting, daring to do counterintuitive work or first films. An icon who has never stood still and has kept her art alive. Deneuve embodies in her very own way the richness of the cinema that the Festival wants to defend: auteur films but also quality popular films.

Four years before 1968, Catherine Deneuve illuminated Jacques Demy’s The Umbrellas of Cherbourg, which won the Palme d’or in 1964. The following year, Repulsion by Roman Polanski won the Silver Bear in Berlin. This was followed by A Matter of Resistance by Jean-Paul Rappeneau, The Young Girls of Rochefort by Jacques Demy and Luis Buñuel’s Belle de jour.

From then on, hers will be a path of glory, studded with masterpieces and commitments that will shape the portrait of a star as well as that of a woman of convictions. For Catherine Deneuve also co-signed the “Manifesto of the 343” in 1971, demanding the legalization of abortion on one hand and a collective text in 2018 in which a hundred women reject, “puritanism, denunciation and any form of expeditious justice” on the other hand.

Catherine Deneuve also starred in Indochine by Régis Wargnier, which remains, to this day, the last French winner, in 1993, of the Oscar for best international film. In 1994, she was Vice President of the Jury headed by Clint Eastwood which awarded the Palme d’or to Pulp Fiction by Quentin Tarantino. In 2000, Dancer in the Dark by Lars von Trier was the second Palme d’or in her filmography. In 2005 she received an Honorary Palme d’or and in 2008, under the presidency of Sean Penn, the Special Prize of the 61st Festival for her entire career. In 2016, Catherine Deneuve was awarded the Prix Lumière which she dedicated “to the farmers”, thus taking everyone by surprise once again.

Joyful, bold-faced and romantic, a young woman with long blond hair smiles, confidently, at her future. It is a certain form of magic that Catherine Deneuve embodies – pure, incandescent and sometimes transgressive. It is this unspeakable magic that the 76th International Film Festival conveys with this timeless poster. To reiterate the glorious present of cinema and to envisage its future full of promise. Catherine Deneuve stands for what cinema should never stop being: elusive, daring, irreverent. Something self-evident: a necessity.






Know about the feature films chosen for Competition, Un Certain Regard, Out of Competition, Midnight Screenings, Cannes Premiere, and Special Screenings.

Cannes official



JEANNE DU BARRY by MAÏWENN – Opening Film Out of Competition

IN COMPETITION


CLUB ZERO by Jessica HAUSNER

THE ZONE OF INTEREST by Jonathan GLAZER

FALLEN LEAVES by Aki KAURISMAKI

LES FILLES D’OLFA by Kaouther BEN HANIA (FOUR DAUGHTERS)

ASTEROID CITY by Wes ANDERSON

ANATOMIE D’UNE CHUTE by Justine TRIET

MONSTER by KORE-EDA Hirokazu

IL SOL DELL’ AVVENIRE by Nanni MORETTI

L’ÉTÉ DERNIER by Catherine BREILLAT

KURU OTLAR USTUNE by Nuri Bilge CEYLAN (ABOUT DRY GRASSES)

LA CHIMERA by Alice ROHRWACHER

LA PASSION DE DODIN BOUFFANT by TRAN ANH Hùng

RAPITO by Marco BELLOCCHIO

MAY DECEMBER by Todd HAYNES

JEUNESSE by WANG Bing

THE OLD OAK by Ken LOACH

BANEL E ADAMA by Ramata-Toulaye SY | 1st film

PERFECT DAYS by Wim WENDERS

FIREBRAND by Karim AÏNOUZ

BLACK FLIES by Jean-Stéphane SAUVAIRE

LE RETOUR by Catherine CORSINI

ELEMENTAL by Peter SOHN Closing Film Out of Competition

UN CERTAIN REGARD


LE RÈGNE ANIMAL by Thomas CAILLEY – Opening Film

LOS DELINCUENTES by Rodrigo MORENO (THE DELINQUENTS)

HOW TO HAVE SEX by Molly MANNING WALKER | 1st film

GOODBYE JULIA by Mohamed KORDOFANI | 1st film

KADIB ABYAD by Asmae EL MOUDIR (THE MOTHER OF ALL LIES)

SIMPLE COMME SYLVAIN by Monia CHOKRI

CROWRÃ by João SALAVIZA, Renée NADER MESSORA (THE BURITI FLOWER)

LOS COLONOS by Felipe GÁLVEZ | 1st film (THE SETTLERS)

OMEN by BALOJI | 1st film

THE BREAKING ICE by Anthony CHEN

ROSALIE by Stéphanie DI GIUSTO

THE NEW BOY by Warwick THORNTON

IF ONLY I COULD HIBERNATE by Zoljargal PUREVDASH | 1st film

HOPELESS by KIM Chang-hoon | 1st film

TERRESTRIAL VERSES by Ali ASGARI, Alireza KHATAMI

RIEN À PERDRE by Delphine DELOGET | 1st film

LES MEUTES by Kamal LAZRAQ | 1st film

ONLY THE RIVER FLOWS by WEI Shujun

UNE NUIT by Alex LUTZ Closing Film Out of Competition

OUT OF COMPETITION


INDIANA JONES AND THE DIAL OF DESTINY by James MANGOLD

COBWEB by KIM Jee-woon

THE IDOL by Sam LEVINSON

KILLERS OF THE FLOWER MOON by Martin SCORSESE

L’ABBÉ PIERRE – UNE VIE DE COMBATS by Frédéric TELLIER

MIDNIGHT SCREENINGS


KENNEDY by Anurag KASHYAP

OMAR LA FRAISE by Elias BELKEDDAR | 1st film

ACIDE by Just PHILIPPOT

HYPNOTIC by Robert RODRIGUEZ

PROJECT SILENCE by KIM Tae-gon

CANNES PREMIERE


KUBI by Takeshi KITANO

BONNARD, PIERRE ET MARTHE by Martin PROVOST

CERRAR LOS OJOS by Victor ERICE

LE TEMPS D’AIMER by Katell QUILLÉVÉRÉ

PERDIDOS EN LA NOCHE by Amat ESCALANTE

L’AMOUR ET LES FORÊTS by Valérie DONZELLI

EUREKA by Lisandro ALONSO

SPECIAL SCREENINGS


MAN IN BLACK by WANG Bing

OCCUPIED CITY by Steve MCQUEEN

ANSELM by Wim WENDERS

RETRATOS FANTASMAS by Kleber MENDONÇA FILHO (PICTURES OF GHOSTS)

LITTLE GIRL BLUE by Mona ACHACHE

BREAD AND ROSES by Sahra MANI

LE THÉORÈME DE MARGUERITE by Anna NOVION

AS FILHAS DO FOGO by Pedro COSTA | Short Movie

STRANGE WAY OF LIFE by Pedro ALMODÓVAR | Short Movie




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